Comes in a three-fold card digipak designed by Martin Garrney, with notes on the Compánach project and concerts, the images, the idea of celebrating places in tunes and songs. The albums draw on the A-Z alphabetic theme and structure of the encyclopedia Companion To Irish Traditional Music, presentin music named for places in each Irish couinty and major Diaspora regions, as well as other topics such as Ballad, Sean-nós song, and Step-dance. Altogether this is a music tour of Ireland and Irish culture. 90 tunes, all types of Irish melodies represented, major song types.
*From March 2021 this is also availabe as a DVD movie, in a TV-documentary style, which shows in rich detail the visual, social and topographical aspects of Traditional music in Ireland. Designed for home use and for large-venue and virtual festival projection alike.
In April 2024 the album was given a new cover to match the new 3rd edition of the encyclopedia Companion to Irish Traditional Music. The album's content and the notes remain exactly the same however.
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(03) Armagh county: An iconic song-air leads off, one of the melodies associated with a Fews aisling or vision poem, written by Art Mac Cumhaigh (1738-73) of Creggan (NW of Crossmaglen) it celebrates the deep cultural associations of the mountainous south of the county. This is followed by Gerry’s take on the McCusker Brothers’ local version of a popular céilí set dance, from Kilcreevy (N of Keady), close to where Tiarnán now lives. Gerry leads with one of Mullaghbane composer Josephine Keegan’s reels, and we conclude with another twentieth-century piece by Portadown/London fiddler player Brendan McGlinchey.
1/ ‘Úirchill a’ Chreagáin’ [song air], 2/ ‘The Sweets of May’ [set dance, double jig time, 4/4], 3/ ‘The Curlews’, & 4/ ‘Splendid Isolation’ [reels, 4/4].
lyrics
The Performers on Compánach
Gerry O’Connor is a Dundalk fiddle player, a versatile figure in Irish music who is solidly ‘of his place’ in the music’s traditions. He has toured Ireland and Europe solo, with the bands Skylark and Oirialla and with Breton guitarist Giles Le Bigot. He plays also in the USA and Canada, and has many recordings, among them the seminal albums of Lá Lugh with Eithne Ní Uallacháin (Bilingua, 2016). His solo albums are Journeyman (2003) and Last Night’s Joy (2018), and he teaches fiddle internationally.
Tiarnán Ó Duinnchinn is an award winning Uilleann Piper from Monaghan who began playing uilleann pipes at the age of nine with The Armagh Pipers Club. Holder of four Fleadh Ceoil All-Ireland titles and two Oireachtas titles he has toured widely in Europe and has recorded widely, both solo (Reggish Paddy, 2017) and with Máire Ní Bhraonáin of Clannad, Stephanie Makem and harper Laoise Kelly (Ar Lorg na Laochra, 2016).
Fintan Vallely is a flute player and is director of Compánach and editor of Companion to Irish Traditional Music. From Armagh, he has performed and taught throughout the world, was a critic and lectured for many years on Traditional music. He has written and edited several books, and has recorded solo (Merrijig Creek, 2018) and with singer Tim Lyons and guitarist Mark Simos (The Starry Lane to Monaghan, 1992).
Sibéal Davitt is a sean-nós dancer with a deep knowledge of ballet, jazz and contemporary since the age of five. She has achieved numerous awards including TG4’s ‘Glas Vegas’, and has performed nationally and internationally at such as Electric Picnic and Celtic Connections, and with bands such as The Chieftains. A student of film, she has produced shorts on dance; she teaches sean-nós, and creates and performs collaborations of Irish traditional and contemporary dance.
Karan Casey is a Co. Waterford singer who learned both local Traditional and Classical repertoires and techniques, and had a particular interest in Jazz. While studying this in New York she sang with the band Atlantic Bridge, then became a founder member of Solas in 1994, subsequently performing solo and recording and touring with concertina player and composer Niall Vallely. She has numerous solo and other recordings, bookended by Songlines (1997) and Two More Hours (2014).
Máire Ní Choilm is a Gaoth Dobhair, Co. Donegal singer in Gaelic. Her distinctive voice and interpretation of local songs have gained her National awards at An tOireachtas, the Fleadh Cheoil and the Pan Celtic Festival. She has performed at Celtic Connections and Festival Interceltique de Lorient, and recorded Nuair a théid sé fán chroí in 2010.
Roisín Chambers is a sean-nós, Connemara-style, Irish-language singer and fiddle player from Dublin. She has performed with Salsa Celtica and The Bonnymen, and has won the highest honours in Oireachtas, Fleadh Cheoil and Siansa competitions. She has played in Celtic Connections and has recorded
Stéphanie Makem is the great-granddaughter of the celebrated Ulster folksinger Sarah Makem and grand-niece of ballad singer Tommy Makem. She sings a South East Ulster repertoire in English and Gaelic which includes many of Sarah’s songs, and recorded on Ceol is Píob with Tiarnán Ó Duinnchinn in 2008.
Róisín White is a singer from the Mourne Mountains in south County Down who learned from her mother in an environment of Irish language, song and story. Influenced in later years by Joe Holmes, Len Graham and Sarah Anne O’Neill, she went on to record a solo alum The First of My Rambles in 2001, has been a guest and tutor at song festivals in Ireland and Britain, and was awarded the TG4 Gradam Amhránaí in 2015.
Maurice Leyden is a Belfast based folk-song collector, singer and broadcaster specialising in Ulster folk-song. He has written on urban traditional songs in his book Belfast, City of Song, and on children’s singing games in Ireland in ‘Boys and Girls Come out to Play’, and is recorded on The Tern and the Swallow. A lecturer on song too, he has performed in Britain, Europe, America and Canada, and teaches Ulster singing style with Belfast Trad.
Performer on flute, Ireland and world-wide since 1967
Workshop teacher on flute - Scoil Samhraidh Willie Clancy
since 1986, Cruinniú na Bhfliúit Ballyvourney, and Tocane, France; and Friday Harbor, Minneapolis and Catskills, USA.
• Five CD albums of solo and group music
• Written /edited 16 books
• Hundreds of reviews
• Three major conferences organised
• Scores of conference papers and articles...more
supported by 9 fans who also own “3/ Armagh county”
Good man Jack!
Really beautiful music - both your own playing and your recording work: those gorgeous albums from Aidan Connolly, Tony McMahon, etc etc, and that amazing tune from Aoife Ní Bhriain.
Most highly recommended for lovers of trad or anyone who appreciates real music - it's just astounding what these musicians can do. To my ears Raelach records has some of the best trad to be found out there musicstillspeaks
supported by 9 fans who also own “3/ Armagh county”
🍻 I'm speechless. I can't even pronounce the guy's name (I'm working on that 🤣🤣), let alone comment on how brilliant his playing is. Not only that, but the physical album is the most substantial CD case and booklet I've ever held, outside of an OH MY GIRL album. Yes, I'm proud of myself for referencing k-pop while commenting on an Irish trad record. Anyone searching for tenor banjo on BC could stop here and be entirely fulfilled, although I encourage you to search for others as well. ⚡🔥🪕🔥⚡ acmochi
Celtic-inspired instrumentation, delicate harmonies, and reflective lyrics abound on the sisterly indie-folk duo's debut album. Bandcamp New & Notable Apr 26, 2023
Scottish harpist and singer Rachel Newton brings an innovative, intensely emotional touch to traditional music on this dreamy LP. Bandcamp New & Notable Nov 17, 2020
Bright and skipping songs that foreground the sound of the banjo and fingerstyle guitar in music that feels timeless. Bandcamp New & Notable Oct 5, 2020
supported by 9 fans who also own “3/ Armagh county”
Brilliant tunes, played brilliantly. Great recording too - well worth listening with headphones to take advantage of the stereo fun.
Don't miss the sister album Tunes from the Goodman Manuscripts Rory C